I am old enough to recall a time when “interlocking concrete bricks” was a term given to either the straight-ahead ‘blocks’ of square and rather boring brick pavers or to the ‘star-shaped’, or the serrated engineered brick of the past. At the time, the revolutionary aspect of this product was in their structural properties, above all. With a PSI Rating of 8,500 PSI, they seemed the next thing to Granite itself. By using manufacturing processes which produced absolutely perfect fitting elements, the segmentation and the physical durability seemed just plain off the charts, even then. But they were not known at the time for being particularly gorgeous.

My, my, what a few years has wrought:

(left click images to enlarge)

This piece above was installed by a company entirely devoted to installing “Labyrinths”. I adore looking at their work and gladly share it with you now. Their success as an incredibly successful niche business is testified to at this website – Labyrinths In Stone – and it supplies the outermost reaches of sheer professional craftsmanship, to say nothing of their fascinating designs. Below is a somewhat “pedestrian” issue of almost “average” quality:

But these gorgeous constructions are mere reminders of what is possible. I have personally worked with products whose mere shape and color provide a stunning effect, simply by laying them down properly. Design, in these cases, means far less than simply presenting a course over which they can be seen.

Here is a favorite brick style of mine called “Bishop’s Hat” (Tan and Cream) we installed for a Reno family:

(enlarged, this looks incredible, even up close)

There are some things which – installed in the right spot – make it more than it was and maybe better than someone might have hoped. Paver technology has advanced like a rocket, from occasional patios and walkways to entire airports such as that of  Hong Kong. Once again, as I have mentioned often in this blog, their innate durability, their breath-taking level of ‘hardness’ – 8500 PSI – and their amazingly engineered tight fit make them a superb choice of surface. Obviously, the ability to simply replace those ruined by stains or breakage factors in as a huge plus.

But suppliers and designers of brick also brought an “Antiquing” ability, by tumbling pavers inside sand-filled machines and prematurely aging them. “Tumbled Pavers” now represent an entire niche of their own and supply a very ‘walked-on’ appearance. Combined with media such as concrete edging, the results can be impressive:

My own constructions, for example, have led from the above to the below over the course of an ‘old favorite’ project:

(combined with the soft security lighting (7 Watts) along the edge, this very rural home had a minimum of interference with the gorgeous night skies.)

But these are the more pedestrian examples, pardon the pun. There are far more bizarre and excitingly-designed edifices out there to beguile us with, created by wondrous designers and installers, both.

Interlocking bricks can now be made as custom pieces, allowing a range of creativity that unleashes an entire new galaxy of possibilities.

Now a brick can be engineered for purposes of producing patterns in their actual laying which reveal a designer’s intent in its display of complexity or resonance with other factors.

The patterns below are seen outside the Music Conservatory in Toronto, Canada. The architect worked with a computer simulation of phonic graphs, displayed in these laying patterns, whereby the patrons cross over the very music they are entering the place to hear.

Sound wave City!

]]> http://www.stevesnedeker.com/5038/the-world-of-brick-pavers.html/feed 6 http://www.stevesnedeker.com/4797/cool-local-project-in-louisville.html http://www.stevesnedeker.com/4797/cool-local-project-in-louisville.html#comments Fri, 04 Mar 2011 15:28:10 +0000 Steve http://www.stevesnedeker.com/?p=4797 As many readers know, I also do a blog for Pond And Fountain World (linked there) where I expose my long-held passion for everything “water” in a landscape and in urban environments in general – world-wide, no less. I get a refreshing look at others’ work, too, exploring the water features they have installed for home owners and businesses, locally. It’s been a treat working there. I meant what I said about how I really do get to explore the fountains of the world, the good ones as well as the bad ones! I always felt design ideas and simple human wonder take off from starting points of history and the relevant notions artists and architects provide us all. There are some absolutely amazing fountains in this world of ours, let me tell you. For example…………not many of us have one of these in their back yard-

“It’s good to be King!”    (this pic from Versailles, France)

(click any image to enlarge, twice for details)

I can also concentrate fully on all the good stuff Pond And Fountain World deal in as contractors and installers of the stuff they sell – including gorgeous retail/wholesale items listed in their home page catalog and presented in full physical glory at their headquarters. There are also other set examples of the installation of naturalistic water features abounding there, complete with plants they offer as well as some pretty amazing fishies.

The people, particularly the owners, George Davis, and his lovely wife Cara, are heart-warming people with ready smiles and those nicely nervous dispositions which give them away as business people. It has been a very good relationship and I have to think they like the “Face” I am helping them present to the world. Those who work there, shipping, answering phones, helping me hugely with the Internet angle of life – such as Rich and Lynne – also do so much to make it a very cool experience.

But they take also great pains to present their “Face”, all by themselves, here at the “world headquarters” of a firm which ships out quite a few products to designers and home and business owners the world over. I have always delighted in walking there and spending time looking at their monstrous supply of gorgeous Koi -

Looks like feeding time!  True story, actually.

I could watch  this large and gorgeous Yellow fish for days:

Moving along now, these guys have begun a small renovation right at the entry to their premises which I particularly like. Naturally, the construction would always attract my attention, and so it is that I now pass by daily, boning up on my Espanol, taking pictures and asking questions. I honestly really appreciate what they are accomplishing.

Whereas before, the entry looked like this:

Oops!  My bad!! This is not Pond And Fountain World!!  This is Quinn, my brother’s niece! How “pushy” of her!    Well, she was thinking about going there, how’s that?

Ahem, back to the entry:

Note the position (above) of the water feature and the composition of walking materials, then compare to this “progress picture” (below) of what is currently going on:

There’s a new surface in town!

Needless to say, the water feature went and moved itself.

And here are a few later pictures, representing what I am growing to feel is some very perfect surface work:

From a strict design perspective the polyglot mix of materials offers a retailer an opportunity to provide instances of various possibilities. The Blue Stone in the foreground may not always be indicated for everyone, especially for those with more conservative tastes. But the workmanship is the sort of thing a guy like me looks at. I love it all.

The cutting and fitting of disparate materials gives an overall very organic tone to this project. The preciseness of the cuts and the uniform sorts of tolerances between the fits makes it something more than it probably should be.

Pretty cool beans, all the way around. I’m a big fan of this stage of work! I know – there’s dust all over, saws operating, different languages singing out – all that stuff. Man, there’s always a ton of garbage too.

Heaven! 

But for pure thrills, watching these projects come together is a highlight reel for me. I think they’re just nailing it.

Very nice work, George, Javier and crew!

(click on any image to enlarge)

Patios are places to relax and enjoy the warmer air. We entertain there and we invite others to share our environments with food and drink and nice sights. I have a strong bias – and always have – towards using brick pavers and stamped concrete in my patios. I also love stone but I always found the durability issue led me away from using the native stones, at least set in sand. Bricks and cement rarely break down. I overbuild the bases of these things, beyond doubt, but the results have been universally stable which, to me, means much.

click any image to enlarge

There is also this – I prefer that the design of the patio be as pleasing as possible, by all means. But at the same time, I also prefer to know that the developments around the edges and background be equally important – if not far more so. Elements of night lighting, visible features such as waterfalls, gorgeous blooming plants, the many and various points of interest a landscaper and the gardener can provide occupy every bit as much priority in design for me.

In some ways, I guess I’m paranoid about eventually losing integrity of the bases of my constructions more than anything. Add that I have done so many driveways and fire lanes in large commercial projects and you get someone who values stability over just about anything. I suppose it is my own particular training and that experience of watching things over time more than anything that lends to biases towards surfaces. Issues of drainage, compaction, underlying strength are huge for me. But I also enjoy the notion that spills and accidents which regularly occur can be dealt with merely by replacing the bricks themselves instead of reinventing the wheel trying to find matching natural stone pieces, then worrying about their fits when dealing with some fairly obscene accidents and discolorations. In the end, no doubt, I have become a brick guy, with a definite nod towards poured stamped concrete. With all the new patterns, colors and textures, it just seems like the best product.

I feature this patio below elsewhere and it is otherwise not particularly noteworthy in terms of creativity, but it illustrates well my sense of how I prefer putting them together and my sense, upon leaving, that this place will stay very much the way it began – with ample range for improvement and augmentation around the edges. I really do believe a surface is just the start.

In a patio such as this there was very little sloping tolerance allowing for drainage. It is also plain huge. The homeowner himself installed much of the piping (and we had to make a few “adjustments”) owing to such a small slope. We also figured out the best possible way of dealing with keeping the water from the occasional torrential downpour and Reno’s snowfalls away from the house, away from the pool and devise a way to make all that go away.

We arrived at the “Channel Drain”, coursing across the patio, as the ideal solution. Complexities such as this are why brick pavers are such a delight to work with as well. They lend themselves to such tricks by being segmented and adjustable at the onset. The remainder of the project, on the back sides, could simply be diverted into beds and away from both pool and house.

Nor are bricks the only cement solution. Large slabs can be artfully arranged as well, even split such as the ones below and filled in with Thyme and aromatic herbs whose smells light up when crushed by foot traffic and who don’t even mind.

Who wouldn’t enjoy a foot-massaging surface such as the pathway construction from Portland’s Chinese Garden below? Detailed and fascinating stone – or pebble – work such as this one show what is possible if one has the time and inclination for the installation. I actually did run across a few where homeowners have done something similar to this. They were an entire Summer’s work and they were amazing.

Imagine an entire patio of these:

Small, intimate places beg for sharp-looking and fascinating surfaces. Larger ones tend to relate to a theme which struggles to see the relevance of a surface dominating the view or even the local scenery.

Since so many of my constructions have tended towards the “large”, I guess it should be understandable I would prefer some heavyweight base for the patio, driveway and sidewalk surfaces to lay on.

  Some of these are lots of work, too!

Like Forrest Gump said. “I’m tired now. I think I’ll quit.”

]]> http://www.stevesnedeker.com/2771/patios.html/feed 8 http://www.stevesnedeker.com/4005/making-a-formal-waterfall.html http://www.stevesnedeker.com/4005/making-a-formal-waterfall.html#comments Thu, 12 Aug 2010 21:49:17 +0000 Steve http://www.stevesnedeker.com/?p=4005 Hmmmmmmmmmmmmmmmm…………

My good and hard-working friend Rick Barrett analyzes his most recent impossible situation, looking for clues. We got a call from a designer in Portland who designed this most interesting water feature from the comfort of her drawing board. While we agreed it would be a beautiful edifice, we also wondered just how we’d pull it off. The notion of hanging the deep black slate, composed of various thicknesses but the same color, off a block cement wall posed some bizarre and – to us – new material. It would have to be cement, owing to the varied thicknesses of the slate. All sort of adhesives could do the job, but the thickness thing hung us up. We needed a material which would allow us some “squeeze room” in order to have the absolutely perfect outer dimensions to align. Anything other than perfection – with water flowing over it – would show up like crazy.  And this referred not only to the top lip, where it would be grievous if not straight, but the front and sides as well.

Of course, I neglected to mention that the plan also called for adding real rocks at the front and a corner of both levels of the falls system, making the cement idea even more emphatically needed.

(click on any image to enlarge)

So we arrived at a conclusion – erect the walls first, then nail burlap to the block walls, which would give the cement something to grab onto. It would also allow us just enough “wiggle room” to align all the slabs of slate so that they matched at every possible angle. Now, inasmuch as we are working with a natural stone product, total perfection would be absurd, layered and split as they are. But I believe Rick  got very, very close.

He’s a working dude!

I missed many episodes, picture-wise, as the construction proceeded, which I now regret. Often, we were busy elsewhere from the rear of the home, working on the landscaping out front or one the sides, which involved irrigation and the construction of some garden carpentry projects.  Rick did almost every bit of the water feature by himself. He also – it bears mentioning – erected the stone walls. I thought his work was masterful and so did the client and even the designer.

The blue tarp, for the record, was not only handy for preventing the brick walls from getting splashed with wet cement or from the splatter from the debris of brick and stone-cutting, but it also doubled as a “rain roof”, keeping the guys and the stuff dry.

Generally speaking, here it is on the day we pretty much left, all done up and proper.

Quite a change from the first shots…………..note the stones – and not only the Basalt Chrystal cemented around using that “exposed aggregate” concrete finish. Note as well the insertion of natural stones by the bottom basin as well, sort of stuck into the patio floor finish. It added a natural touch. The patio is also cantilevered over the water, allowing us to hide the water pump which sits in the bottom basin. There is far more to this project than meets the eye, I guess is what I am saying.

A bit longer view -

Now closer -

With some cool garden carpentry in the form of these trellises.

This was an interesting project, also.