Azuma Makoto

What an intense and artful revelation this guy is. Azuma works in flowers and succulents and he takes flower arrangements to what I feel to be one of entirely fresh  new levels of artistic skill and acumen that define a craft’s greatest possibilities. He waxes from irreverent and edgy in his arrangements – for example his launch into space of the bouquet show in the picture below –

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To more spare arrangements, made to photograph and immortalize………””Originally Flowers exist in the nature in a way they should be. But I always thought that flowers shine even more or strike you with their beauty deeper in our minds when I stripped them out of their natural environment,” says Azuma.

(Sakura Tree)

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“I use flowers that are living. If I use their life to create a piece, I would like to create a work that should surprise the flower themselves, or the people who see them. I am an entertainer who uses flowers,” says Azuma of his art……….

00flowers6His best friend and a virtual co-worker is his photographer, for obvious reasons. The richness and wealth of lush detail are studies captured in a cooperative effort. Azuma oversees every iota of his work and his legend is quietly growing and he recognized a talented mate in capturing permanent images of his work, often showing the depth of color that a dark background can provide. Far from being a dark study in the standard concept of the term, the backgrounds allows the blooms to explode for the eyes..

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This one below may be my favorite. Here he uses ample numbers of Proteus plants to extrude virtual light from within. Proteus to me rank slightly above the greatest Rhododendron blossoms as Nature’s finest blooms.

00flowers1300flowers 14But, like Isamu Noguchi’s restless range of artistic projects, Azuma also plays in realms he most certainly belongs in. This picture reminds me more of Salvadore Dali than of Nature although all the sculptures show here are representations of plant development.

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He can make your office a snazzier joint too!!!  😉

00glowers12I’m not just late to the Azuma game, I only discovered him today. After stumbling across all this, I had to get deeper. I absolutely adore what this man does. He just turned me inside out, lol.

Enjoy:

Beckly Creek Park – Part Deux

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A gorgeous day made my Sunday morning sabbatical in Beckly Creek Park an absolute pleasure. The wildflowers show I missed. in earlier Spring carries some regret, but I’m somewhat on time for the next chorus of color in the vast wildflower patches punctuating the park as a border to the road through.DSCN1361[1]

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The wildflowers come in swaths and literal pastures extending for distances in this stunningly well-prepared place.

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So I decide Hell, I can take iff into this forest and wander a bit. It has a great entryway, lol.

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Under the canopy everything changes – the air is cooler and fresher. Walking becomes a pleasure, looking for the next photo opportunity.

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Beautiful bursts of bright sunlight are hugely contrasted as they light up the forest.

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As always, at least when walking with me, if there is some creek to look at, chances are excellent I’ll do the looking. 😉  It was really brilliant this morning from this perspective of a post-holocaust flood of sorts. 😉

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But further down took my breath away.

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A look in the other direction, same creek, lol.

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Pretty sweet.

 

 

More on Louisville’s Newest Park(s)

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The Parkands of Floyd’s Fork is a gorgeous conglomeration of other parks: Beckly Creek Park, at the entry on Shelbyville Road, begins a park-touring Odyssey designed for all 4 seasons of Nature in an incredibly beautiful Kentucky at its best. The entire $120 Million donated effort is nearly complete, having begun in 2012 the process of removing invasive species and replacing them in great huge, gorgeous swaths with local wildflowers and grasses. The volunteers who performed so much of the early work deserve world class applause. The result of everyone involved’s hard work is a real sense of Perfection.

This park has recently become a center of my medical rehabilitation from a crazy cosmic series of physical injuries. The gorgeously heavy early Summer air supports the jungle -like growth which is a Kentucky forest in Summer. Consistent downpours and spectacular thunder and lightning effects long into the night, sometimes still rumbling in the morning, make for a green environment in ideal growing conditions. Forests are incredibly dense, often featuring unique species such as Kentucky Coffee Trees, the common but lovely state tree, The Tulip Poplar, Hickory and the stately, huge and colorful Sycamore’s who lighten the already-rich environment.

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And, of course, the park is named for the creek which passes through – sometimes raging, sometimes still – the creek is the heartbeat.

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I was lucky enough to be around while smaller creeks feeding Floyd’s Fork took on a serenely luscious look.

001Visiting the creek often in other locations every trip I make, I discover an old Sycamore snag protruding out as foreground for a still-life of calm riverhood.

DSCN1333[1]The history of flow rates and rushing water is easily enough spotted, even – or especially? – when the water recedes..

DSCN1331[1]Even having lowered, the water level still satisfies the gurgling reputation and surprises with its volume.

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The most remarkable part of all is how the hundred miles of bike trails – a cyclist’s paradise with an eventual circling route around the entire city – follow the creek itself. Paddlers, kayaks, bicycles, fishermen – all are welcome and pretty much all return like me to savor this bountiful Natural Feast.

Next post, we will visit the Interpretive Center, the great playground and the stone work of some breathtaking specialists in a park which spared no expense in meeting craftsmanship excellence.

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Landscaping As Radical Art

The term “radical” stems from the original Latin radicalis – “of roots” and from Latin radix “root”. Whereas, this term ironically resembles “Conservative”, owing to Conservatism’s high valuation of something’s earned past (especially when confronted with “radical change”), I really like the application of “radical” to art as something very nearly opposite of the spirit of its definition. “Radically opposite”, in fact. The term is loosely applied here, but in the overall “sense of things”, it fully meets the spirit of my claims regarding the stunning evolution of a trade which has seen periods of high fashion – from Ancient Times and Babylon’s Hanging Gardens to Frederick Olmstead’s White City and his incredible collection of urban designing accomplishments. Currently, we see regular people create masterpieces of riveting detail and variety in their own fabulous yards, inspiring more public artists and landscaping specialists in a wider realm. I have always said that the best work I ever ran across were productions made by homeowners in the experimental privacy of their own homes.

My current usage of the term “Radical Art” indicates a departure from “the regular” cosmetics of a trade so long defined as just an adjunct to buildings and their grounds – the General Field of Landscaping. It is my conviction that landscaping has evolved into its very own species of art and architecture, outgrowing “Dad” –  into it’s own sort of identity as it evolves further into real art.

Of course, architectural renderings oversee the more vast properties of our urban environments. We’re talking huge.

Noguchi:

 

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What we now see all around us in growing profusion are swaths of land, of urban and suburban wonders, we can simply no longer take for granted and which rivet our minds and souls in ways by which we find ourselves utterly challenged. Some are larger than others:

This work of art in Australia, known as ‘Mundi Man’ or ‘Eldee Man’ was constructed by noted painter Ando (website here) and is located on Mundi Mundi Plains, NSW. It is the world’s largest art work, covering some 4 million square meters, or 5 million square yards. That’s a lot of “cosmetics”!

Antonio Gaudi may have set the Lunatic Fringe of Radical Art in landscaping with not only his remarkable building designs, but in the incredible complexity and bizarre designs so rife at Park Guell in Barcelona, Spain. His admixture of “primitive” and ultra-modern are well-illustrated in this photo I gathered from this website, dealing with Cruises.

 

From the same park………….

 

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Underneath this….

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The stunning work of Isamu Noguchi, as offered in the first photograph above, has also offered a primary glimpse of landscaping radicalism for long years prior. Now fully enacted by a fabulously and numerically-rich coterie of building designers, the arresting visual and sensual 360 degrees of 3 dimensionality of landscaping reaches an exemplary peak in his work. Below is his spare, yet incredibly evocative construction of a park erected on the site of a former garbage landfill.

Moerenuma Park, Sapporo, Japan:

 

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My view of these installation includes the packages relative to the advancement of technological breakthroughs in the machinery itself of construction. If Da Vinci could conceive of “lift”, “displacement” and the eventual forms which encourage Mankind to fly, then the wildly impractical new wonders of Drip Irrigation, water pumps and advancements in adhesives have opened an entire realm of gravity-defying work of its own.

Vertical Gardening will produce many Babylons, right before our every eyes:

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Even residences will gain from inexpensive-yet colorful profusions of verticality, a technology now just getting underway.

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The advent of the Mini-Excavator, in my world of installations, has produced amazing wonders, quickly-accomplished, only requiring an imaginative combination of materials, designers and installers to implement the next wave of the booming field of water features. Note here the incredible handsomeness of the stud at the business end of such a handy little monster of torque:

 

The above became this……….

 

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Fountains, water, radicalism, sound and senses…………………..

(Noguchi again):

Lighting has caused a Mini Sensation and a completely outrageous burst of creativity in the field as well, from simple, well-placed uplights and filters of a smaller but ineffably gorgeous dimension:

To the radical fringe of massive urban production such as this Mall Fountain in Singapore – the world’s largest fountain:

More Radical yet, we have the entire realm of fountains and the myriad new applications of water, beginning, once again, with Noguchi’s completely impractical 9 Floating Fountains at the 1970 Osaka World’s Fair:

My belief is that we are just entering a field which promises a burst of fabulous artwork of increasing meaning and relevance. I honestly believe we are being pushed outdoors, kicking and screaming, as our back yards become “destinations” and extended living rooms, kitchens and dens. Our cities become more vibrant when we supply other “destinations” to please the eyes and senses. The factor of radical art in landscaping may even supply microcosmic pleasure in the tools and those items which we have so long merely taken for granted………..

such as garden furniture, as Helen Nock (website included)  so brilliantly illustrates:

Walls and fences take on some structural interest when in the hands of Micahel   Eckerman of Santa Cruz, his website here. A surfer and gatherer of native materials, his formations show movement and form which closely resemble the behavior of ocean waves:

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The creations we see today raise our vision and stop our wandering eyes so that we can better focus on their message. The “message”, as in all art, is that of celebration of our shared humanity. These spiritual accomplishments encourage us all to be better people, in every way.

I am glad Landscaping enters the realm of art itself. The scope of the trade has no conceivable limit, from the very tiniest of realms to those of massive scale. It is Man tickling Man and the sooner we understand that, the more we can create and enjoy more of the same.